Virtual Fantasy Con 2017: Fantasy Mashups Panel

Diane Morrison

The last of the three panels I had the honour of hosting for the Virtual Fantasy Con this year! In this one we discuss fantasy mashups. What happens when you blend fantasy with another genre? What are the benefits and the drawbacks? And at what point does a blend become a genre of its own? We have a panel full of fantasy mashup authors, and this was a lot of fun!

You can watch the entire playlist of the Virtual Fantasy Con panels HERE.

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Virtual Fantasy Con 2017: Realism in Fantasy Warfare Panel

Diane Morrison

This is the second of three panels I had the privilege of hosting for the Virtual Fantasy Con 2017, and this one just might be my favourite. I was honoured to have a truly expert panel at my disposal, whose background and expertise included both studied and practical, hands-on experience. From logistics experts to medieval recreationists to real-life military personnel, all of whom are also fantasy authors, I think we’ve provided an excellent starting resource for fantasy writers who want to write about war.

You can watch a full playlist of all the VFC2017 panels HERE.

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Most science fiction is actually a blend of scientific fiction and fantasy.

SelfAwarePatterns

Quentin Cooper, looking over a top 100 sci-fi movie list which has many questionable entries, ponders this question: BBC – Future – Why is science fiction so hard to define?.

Time Out, the weekly listings magazine, recently ranked the 100 best sci-fi movies of all time. They did it by polling 150 “leading sci-fi experts, filmmakers, science fiction writers, film critics and scientists” and getting them to each provide their 10 favourites.

As lists go it’s a decent one. It’s hard for me to take issue with a top three of 2001: A Space Odyssey, Blade Runner and Alien. Especially as my not-quite-four-year-old is named Hal partly after the homicidal computer in 2001. If we’d had a girl it was toss-up between Pris and Ripley.

Once you begin to get away from the top though, things soon get less clear cut.

Terry Gilliam’s Brazil – their number…

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